A person operating a professional video camera on a tripod in a warmly lit indoor setting with blurred fairy lights in the background.

Shiv is a young Cinematographer from India,

born and raised in Punjab around film sets, he developed a deep fascination for the craft early on, which naturally led him into the world behind the camera.

He spent years traveling across India, working on a wide range of projects that enriched both his visual sensibility and on-ground experience. To further refine his skills, he trained at the renowned Mindscreen Film Institute in Chennai, where he developed a strong foundation in cinematic technique and language.

He then collaborated with various production houses like Dharma Productions and TVF on acclaimed projects like Kota Factory and Gehraiyaan, which strengthened his working style.

A person is operating a professional camera on a tripod, capturing a close-up shot during a filming or photography session. In the background, an Indian man with traditional attire is visible, standing in an indoor setting with warm lighting and decorative elements.
Filmmakers on a boat filming a scene during sunset by the water, with a cityscape in the background and people managing camera equipment.

His travel experiences deeply influenced his work in the feature film Dhak Dhak, where he captured stunning visuals of four women biking through the mountains, perfectly echoing the spirit of the film.

Two men engaged in a serious conversation; one touching the other's face; other people blurred in the background.
Group of five men conversing and smiling at a gathering indoors, with a table and window in the background.

Shiv’s strength lies in his ability to translate a story’s emotional core into compelling visuals. In Gullak Season 3, his lens brought warmth and introduced the house as a family member making audiences feel right at home.

In Aspirants Season 2, he crafted an aesthetic visual palette that emphasized character-driven storytelling, effectively capturing the complexities of bureaucratic life and the protagonist’s personal dilemmas.

In his most recent series, Bada Naam Karenge with Rajshri Productions, Shiv has beautifully framed the vibrancy of Indian traditions with a poetic sensitivity, enhancing the show’s emotional undertones.

Shiv approaches each project with quiet curiosity, letting the story lead and the visuals follow with intention.

Three women and one man gathering around a camera in a cozy room. The women are smiling, with one reaching towards the camera. The room has various decorations including pictures, books, and a whiteboard with writing.
Two men are in a living room setting with a camera filming one of them. The man on the sofa has a mustache, is wearing a gray shirt and white pants, and sits on a sofa with colorful cushions. A person behind the camera wears glasses and a black shirt, adjusting the camera equipment. The wall behind features several framed photographs and a large portrait of a young man, decorated with a flower garland.

Recognitions

Gullak and College Romance was featured in IMDb's list of most popular shows in 2022. More recently, in 2025, he received a nomination for Best Cinematography for Aspirants Season 2.

Images of three Indian web series posters with their ratings for 2022: Rocket Boys rated 8.9, Gullak 3 rated 9.1, and College Romance Season 3 rated 8.4, displayed on a purple background.
Colorful poster for Cinematography Awards 2025 featuring nominations for best cinematographer in various web series, with images of award nominees and film posters, including Aspirants, The Railway Men, Maharani 3, Heeramandi, and others, along with event details and voting information.